Improv Fun!

Just finished a piece that's been inside my head for a while.  This one I never even sketched, but have seen in in my mind's eye for a while and decided to go for it!   I'm super pleased with how it turned out.   What I like about this piece is that although it is simple, it's also versatile.  I think it would be really fun to make in lots of different ways with different colors and even some prints.  I also like the graphic nature of it - it has sort of a cartoon quality with the skinny black strips that I really like.    

Original design by the zen quilter

Also I love the blue fabrics (from Cherrywood, of course) - they are so rich in color! 

 Now for the hard part - I have no idea how I'm going to quilt it!   It's kind of stark, I think, so I don't want to add to much of anything.  Oh well, kind of a fun dilemma to have!  I'm calling it "Blue Modern" for now.  It took about three days to make the top, which is also fun.  The only difficult part was figuring out how to cut the angles, but I overcame that, too, math genius that I am not!  Will share how I did it later, no time today, just excited and wanted to share...I might try to enter this one in Quiltcon, I like it so much. 

TTFN  and enjoy your weekend!   

If It Ain't Broke, Take Care of It...So it Don't

Kind of scattered today; have a bad tooth that needs fixing and I think it is making me a little tired. (I have a dentist appointment on Monday, but I think I waited a little too long to address it - may end up losing the tooth - glad it is a back one!)  This morning I was thinking about how expensive it is to go to the dentist - I mean,  I've already spent a thousand dollars on this tooth, and now I have to spend more. I was quite annoyed about it, really, when I made a realization.  I have no trouble spending money on art supplies, face creams, clothes, entertainment - things I enjoy, but I don't like to spend money on my health.  Why is that?

I realized there are two reasons -one of them is because of the obscene cost of any kind of  health care, no matter how simple, even with insurance (which I  don't consider even remotely useful - it's a just-in-case thing - we have yet to meet our deductible, ever).  The other reason is because I take my good health for granted.  I expect to be healthy. I mean, the main reason we never meet our deductible is because we don't need to go to the doctor very often.  So maybe I shouldn't complain when I do. In fact, I think I should be downright grateful about it.  And - I shouldn't take good health for granted.  I mean, I do try to eat pretty healthfully most of the time and traditionally I have exercised regularly (I do sometimes go through sporadic bouts of laziness, but I always come back to exercising because frankly, I feel better and am happier when I do) but I'm going to add my good health to my gratitude list more often.

Speaking of good health, since I "retired," I realize that it is more important than ever to exercise every day, especially since I now spend so much time at my sewing machine.  Being a teacher, I walked and was on my feet at least eight hours every day, and now I spend a lot more time sitting, and as I've mentioned before, sewing can be hazardous to one's health.  I have packed on a few very unwelcome pounds in the last eight months, so in my dorkiness, I have come up with ways to counteract the perils of sitting.  (Huh! Those office people with their walking machines and standing desks have nothing on me.)   Here are a few of the sitting-related issues I've noticed and the stuff I am doing to counteract them.

First I noticed  that I am losing muscle in my stomach from hunching forward which also, by the way, leads to a sore back and rounded shoulders, which I do not like at all.  Besides doing some heinous pilates, I am trying to address this issue while I work as well.  I make a conscious effort to sit up straight and hold my stomach in when I am sewing. I constantly roll my shoulders back, too.  I even switch feet on the presser pedal because I figure that it works the lower abs just a little if I am holding them tightly and pressing on the pedal at the same time.   Sometimes I crack myself up just a little, thinking I'm so EFFICIENT and PRESENT and all, doing these silly little things, but hey, it can't hurt, can it?

Second, I stand up whenever I can. There are a lot of opportunities to stand when quilting - one can spend hours cutting, for example.  Or pulling fabrics for the next project, arranging pieces on the design wall, ironing...so that's great, but I try to find other ways to get off my duff, even for a few moments - if I need to pull stitches out, I stand up.  If I cut something, I stand.  If I need to look at a sketch, I stand.  If the phone rings, or I need to check something on the internet, I stand.  I don't know if it makes any difference, really, but I still do it

Third, I make sure that I get up every hour and do something active for at least 15 minutes, too.   Everything counts, from doing laundry to watering the yard to getting dinner started.  This has the added benefit of my actually getting some household chores done, too - I can still spend lots of time sewing and can eliminate any guilt I might possibly feel for ignoring what I admit I consider to be my responsibilities...killing two birds, you know.

I keep water by my side all day, too.  Because water is important for so many reasons.  I stretch and sometimes I even take a break and do some stupid little isometric exercises, just whenever I think about it.
These are the things I am trying to do to countermand my suddenly much more sedentary life, which I really am enjoying enormously (except for the poochy stomach, which I really believe I CAN conquer; I don't care if I am middle-aged - stomach fat is not a given, just a tendency).

In short, understanding how important it is to be active, I'm trying to fit activity in while still doing the things I really love and want to do.  As nerdy as it may sound, I think it is making a difference.   If anyone else has any ideas or tricks they do, please share - if it's not too insane, I'll probably be willing to try it.   And I'll let you know when the pooch is gone.

WIP Report

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I  finished my ode to Andy Goldsworthy triptych.  I really love them, too.  Right now they are hanging over my bed.  I've been trying to come up with something for years!  They are perfect for the spot, and Paul (hubby) loves them, too.

I also finished a summer project for my brother and his family - also three pieces, but very large (seven feet by twenty-four inches each) and designed specifically for their house.  I am super pleased with them and luckily so is Katherine (sis-in-law). I will take a photo as soon as she gets them installed.

I started a project yesterday that I am so into, I only have eight more pieces to make (out of twenty) that's how motivated I am.  It's not my original design idea,  I got it from The Quilting Edge, my favorite blog.  It kind of reminds me of Chagall's circle painting but I have these gorgeous earthy fabrics and I thought the design would work well. Not an easy sew, however; much cursing and bringing myself back to presence throughout the day occured. It's going to be worth it though, I think...Next time, however, I am going to use a different technique - this one was not fun enough to repeat.  Still,  I can see many different iterations on the theme - I just want to find a less annoying (to me, anyway) way to do it!

It Could Be

I’ve been meditating daily for a while now and boy, do I see a difference  - in well, everything.  It helps me be so much more present and aware of things, which in turns seems to lead to more and more (and more) inspiration.  It’s such a lovely gift to have all these ideas waiting in the background - as soon as I finish one project, I’m super excited to begin the next.  I sometimes feel as though I’m in a constant state of excitement and anticipation because I love what I’m doing so much.  I can’t wait to get to it every day, and sometimes I even neglect other (some might say, more important) things because I just want to get to my studio and CREATE. 

For example, until yesterday I had been fighting crabbiness because I hadn’t been able to work on anything in over eleven days – I was having creation withdrawal!  There was a sort of discontent in the background that I kept having to dispel by forcing myself into the present moment.  It worked though. and I was able to fulfill the other obligations I had and with joy and gratitude.  But boy oh boy was I happy to be back in my studio yesterday! 

I have to admit, though, that I’m starting to wonder whether I’m spending too much energy on the wrong thing.   With all this bliss and inspiration comes a dilemma – how can I be so driven to create, so full of ideas and enthusiasm and joy and energy, with no practical outcome to it?  There is a goal, yes - to sell my art, to have it bring as much joy to other people as creating it brings to me.  (At the risk of sounding arrogant, self-indulgent, or maybe deluded(?) I really, really LOVE my creations .  All of them!  They give me so much delight and wonder, I want them to do the same for others.  I mean, it could be.

I know there are lots of ideas and lots of really gifted creators in the world – I’m  quite grateful for and inspired by them.  If I ask why I would expect to be successful in the face of all this amazing creativity,  my husband often says “Why not you?” Yes, why not me?  If my spiritual teachers are to be believed  - and I think they are - there is enough to go around. Hey - it could be.

I follow a lot of bloggers who seem to have "success" with their art – they are teaching, they are doing pieces on commission, they are getting their art put in galleries and shows, they have sponsors for their blogs, they have thousands of followers…and after two years of blogging I am, well, let’s just say, less followed.  Am doing something wrong here?  Am I too focused on the creating and not focused enough on the marketing?  I suppose it could be. 

In my defense,  I am trying to develop a web page but find it so tedious and frustrating that I have gotten exactly nowhere with it.   I realize I need some help, because computer stuff just ain’t my thing.  (Computers are great, I love them.  But I don’t like to figure out how to do things on them - not even a little.  I only like for someone else to show me how to do what I want. )  But if I really want to have some of that kind of success, I will have to make this a priority, I think, not just be so focused on creating.

What is success, anyway?  Perhaps I'm looking for something outside myself when I need to go inside and find it.  I know I am certain blissed out (well, most of the time) when I am creating - can't ask for much more that, can I?

The thought sometimes occurs to me that I should just stop all this nonsense and go get a “real” job, sell my sewing machines and give away all my fabric and throw out those Styrofoam heads, paints, and all my other art supplies and let go of this dream of creating art.  But will that stop the flow of ideas and enthusiasm and almost physical need to create that pervades my being?  This cannot be!

Instead, I think it will just direct the creative part of me to other endeavors – I know when I was teaching I had the same experience with ideas and inspiration – it was constant and I loved it and I KNOW my students benefitted and learned from it.

You see, the amazing thing about creativity is that we can be creative with ANYTHING!  Yes, even accountants can be creative (and I don’t mean in unlawful ways) with what they do, if they love it enough and are open to the creative force of the universe.

For me, it comes down to this:  I like – no, I LOVE to create.  It’s so much a part of my being that it pervades everything I do, from cooking to exercising, to organizing, and to yes, art.  I don’t know if I’ll ever enjoy “success” with my art, and I suppose it doesn’t matter.   I’m not quite ready to give up on it yet – I don’t feel like I’ve given it enough time – after all, anything worth having is worth working for, right?  That said, it’s still a considerable comfort to know that creativity abounds and that it can be expressed in countless ways, and that even if I do have to let go of this particular dream, if I remain open to the universe, I can still feel the incredible, miraculous bliss of creating, just in a different way. 

But one thing is certain.  Life is about balance.  And maybe the message I’m supposed to be getting is that I need to balance my life more – not spend so much time on this one thing, but find a better balance between creating art and creating and doing in other parts of my life.  It could just very well be.

WIP UPDATE:

Amazingly,  I’m nearly finished with my pieces inspired by Andy Goldsworthy’s art - the ones that were the subject of my blog a couple of times ago that took so long in the planning.  Although it took a full day of decision making to get them planned out, as I suspected, the actual creating didn’t take nearly as long.  In fact, at this point, they are sandwiched and ready to be quilted. 

It may take another day to figure out how I’m going to quilt them, though.  I want the quilting to really enhance the design, and there’s a lot going on, so I think it has to be pretty minimal, or at least not prominent, and I’m a little stuck.  I’m going to throw them up on the wall and just stare at them for a while.  I’m sure something will come.  In the meantime, I have plenty of other projects to work on.

You Do the Math!

I wish I had paid more attention in my math classes.  I distinctly remember saying many times over in my high school  “I’m never going to use this stuff anyway – what a waste of my time!”  (Sorry for my shitty attitude, high school math teachers, for the record, I was SO wrong!)  What I don’t get is how I managed to make straight A’s in math at the time?!  Go figure!  (And yes, that pun was intended.) Now I really wish I could remember how to do some of that stuff, because believe it or not, I find I often need (gasp) MATH for some of my designs. 

Naturally I would prefer to have a computer program that would do the math for me, but so far I haven’t found one that does what I need it to.  Not that I have looked very hard – yet.  But after the latest issues I’ve had, I may begin a search in earnest. 

It all started with the usual – my getting an idea for a design that I had no earthly idea how to put together.  Here is the original sketch. 

After dutifully drawing it on graph paper, with a scale of 1 square equals 2 inches (It sure looks all official and math-y to me!)

I still didn’t know how to figure out the exact dimensions of the side triangles (I was pretty sure it wouldn't work out to count them diagonally...) But I wasn't concerned about that yet because... 

First I had to think for a moment on how to actually construct it.  Even though it’s a simple graphic design, putting it together was not so obvious to me right at first (Yes, I readily admit to being spatially challenged!)  I decided to construct the middle triangles first,

 then add the one-inch strip of white to the sides of the triangles, (these blue triangles below are not sewn together yet, they just look like it)

So far, so good, right?  But now I could no longer put off figuring out the dimensions of the yellow triangles.   How hard could it be?  I knew the length of the one side by measuring the while pieces on the sides, and I knew it was a right angle, and I knew how wide it had to be from the skinny part of the triangle to the edge if the quilt - at least I thought I did, but I still felt unsure.   

 SoI tried to draw it on an online quilting program but there was no tool for just drawing a straight line and then getting the measurements. 

I thought and thought some more and suddenly the math fairy came to me and reminded me of the Pythagorean theorem: A squared + B squared = C squared.  Only every time I did it, it didn't seem right, and I was scared to cut the triangle and have it not fit and then have to cut more strips and sew them again. 

In the end I decided to forget about trying to be all scientific and just fly by the seat of my pants, like I always do.  I would sew strips of fabric together, then sew it to the side of the triangle and cut it to fit.  No problem, I thought – I have carefully sewn the middle and it should be easy to use the straight sides to use as edges for cutting the triangles. 

What a disaster.   After sewing it together twice, it is still all wonky and I had to stop for the night lest I lose all my ability to remain even the tiniest bit zen due to massive Frustration!  

I was showing it to my husband, and I got the brilliant (we’ll see) idea to measure each triangle down the middle and cut the bottom of the side triangle to that exact specification, (I already know the one side is the correct length as it is sewn on and trimmed) That should straighten it out.  I was too tired to do it last night, but I’m going to take out all the stitches and try it this morning.  I’ll let you know how it goes…I may end up yet cutting and sewing more strips, but I’m resigned to the idea – I really like this design and I’m going to (cheerfully, dammit) make it work.

This whole thing goes to show that I really need a book, a class or (and this is my favorite scenario) a computer program that will do the measuring for me.  All I would have to do is draw the design into the program and it will not only add the seam allowances and tell me the exact measurements, but will also calculate the fabric needs as well.  If such a program exists and doesn’t cost too much, somebody PLEASE  tell me, because my art brain and my math brain do not match up at this point and it’s testing my ability to be - you know -   

Zen!

Too Much!

So I'm here in California, helping my husband go through his parents' house.  Let me tell you, there is an awful lot of stuff here.  More than it would seem possible to fit in a house, I mean. Literally every nook and cranny is filled with (well, to put it nicely) detritus.  Naturally it's gotten me to thinking about stuff.
First of all, let me say how very much I loved my in-laws.  They were very loving and accepting of me, and always good to me, and I enjoyed knowing them very much.  They are missed.  They were children of the depression, who had little to begin with but through tooth-gritting hard work managed to not only survive but to build up their "fortunes" to the point that they never had to worry about retirement, or any other issue, as they aged.   They were able to do exactly what they wanted to do, and were able to be independent, and not a burden to their children in their old age.  I considered them both a success and also people whose characters were worth emulating.
That said, there is a burden left over for their children, and that is the sheer mountains of stuff that has to be looked at and disposed of.  My father-in-law, whom we called Sir, was in the building trades for most of his life.  He would bring home any and all building materials that were offered to him.  There are tens of thousands of nails, 60 years worth of rotten wood, buckets and buckets of plumbing supplies, wires, fasteners, scads of doodads and whatnots that he never actually found use for in his basement. It's overwhelming just to go down there, let alone to try to package it all up and do something with it.  In his backyard there is such an accumulation of pipes, wood, old equipment that doesn't run anymore that I was joking to my husband that we might find a dead body buried under the years and years of accumlated tree droppings which couldn't be cleaned up because there was just too much STUFF all over the yard! It was over a foot deep!  Really!  And being in the apartment business, my father-in-law would literally pull scads and scads of books out of the dumpster, and he never ever said "no" when someone who was moving out his apartment offered him some furniture.  They must own a hundred lamps (all of them ugly) not to mention side tales, chairs, and other furniturial odds and ends.
Now Maw and Sir didn't take these things because they were greedy, or even because they were pack rats ( although arguably, Sir was a pack rat).  They took them because they didn't like things to go to waste.  They believed in reduce, reuse, recycle long before it was politically correct to do so.  The only problem was that Sir was absolutely certain he would have use for 450 light switch covers some day...He had some ichthymal ointment that was still unused, in it's original wrapping from the 1950's, in his bathroom.  He had a hair trimmer that my husband said had to date from 1955 - he said he remembered his mother cutting his and his brothers' hair with it throughout the years - that he still kept in the original box.  There are between twenty and thirty telephones, some so antique they are, I believe, from before his time (he was born in 1923). He just couldn't let go of any of it.  I remember the days before we moved to Texas, Sir going into the basement determined to get rid of some of the things he had down there - he called it agonizing reappraisal.  But he never was able to let any of it go, even though by then he definitely knew he couldn't use any of if anymore.  So now all his spaces are filled with it and it all has to go.  
So what is my point in relaying this to you - well, it's twofold.   First, we need to be thoughtful about how much stuff we accept into our lives.  The truth is, we need so much less than what we have already, and even if we might need it in the future, it's better not to store it in our homes for years and years.  My rule for clothes is if I haven't worn it in a year, it goes, period.  It's harsh, I know and sometimes it's hard for me to let go, just because whatever it is is still good, but in reality, I won't miss it if I'm not using it regularly.  I have not followed this rule with other things in my life...but the reality is, I should.  Because it's just stuff, and believe me, you don't take it with you and your kids will have to deal with it if you don't and it can be really problematic for them. (For example, we just spent two weeks getting rid of things in three houses and frankly haven't made much of a dent, so much so that we are definitely going to have to go back for at least another month, which disrupts our lives enormously.  And the truth is, no one in the family wants any of it, but we feel obligated to make sure that it goes to the right place - recycle, hospice, etc.  For the first time in my life I have actually fantasized about committing arson!)
The second point is that I believe having too many things in our lives inhibits our creativity.  When we have too much, we not only cannot see it, we also cannot experience it.  Sure, creating takes materials, but if we have too many, we miss so many possibilities because it's just too overwhelming for our senses and brains to make use of all of it at once. 
 I read a quote recently that I really liked recently that said something like this: "Anyone can make things more complicated, but it takes real genius to simplify things."  (Sorry I can't attribute it, I can't remember where I read it!)  And having too much stuff, even to create with, does complicate things.  
 I'm not telling people they should go through and throw everything out, mind you.( I read this article one time written by a guy who made it his mission to have only 100 things in his possession.   Talk about ruthlessness -  I decided I don't want to be that austere!)  I'm simply saying that I, for one, am going to get rid of some things I have that I don't use, and from now on, I really am going to think twice, maybe three times, before I buy something that isn't a necessity (and that includes face and wrinkle creams, to which I am addicted).  I'm going to be a more mindful consumer - I like so much, so many things, but I don't need to have them in order to enjoy them.  I need to experience them, not own them.
So - my goal is to purge all the stuff in my life that I don't use or need, and that includes art materials, too.  I inherited a lot and I've added to it, and it's just too much - I'm not going to use it all and I know it.  Some of the things I have I've never used once - they are gone! (metaphorically at this point) 

 I'll keep you posted on my progress as I go along - it's good to have someone keep me honest.

CREATION UPDATE:

I haven't sewn in a couple of weeks, but I did do a little painting - too busy to do much.  Here is all I had time to do:

 I'm really itching to get back at it...Got several projects I'm so excited to begin.  Alas, I have my nephew's wedding this weekend, so I probably don't have time to begin anything just now...of course that doesn't mean I won't - sometimes I can't stop myself!   
  

Don't Stop and Smell the Roses

I've been spending time with Deepak Chopra and Oprah Winfrey lately -  not personally, of course - in the form of meditation.  I've always wanted to practice meditation but never took/made the time to do it.  I've been practicing it for nineteen days straight, and I have to say, I feel transformed by it.  No matter where life takes me from now on, meditation is going with me.  So imagine my confusion when this morning my other teacher, Eckhart Tolle talked about meditation and actually made fun of it! I was crushed, but I continued to listen nonetheless, and I think I understand now what he was saying. It's like the Godfather syndrome -  going to church every Sunday and then spending the rest of the week cheating, lying, stealing and hurting other people. Luckily, unlike Vito Corleone, I do feel it carrying over - somehow spending that 30 minutes every day reminds me to be more present all day. So for me, it's worth it.

What does medtation have to do with creativity?  Well, a lot, actually.  But before I explain, let me share another, related practice I've been doing, too.  Recently I realized I've missed a lot of things in my life, visually. Why? Well, my theory is twofold - one, I just haven't been present in the moment - I haven't taken time to really look at my surroundings and really soak up where I am because I've spent too much time interpreting it - labeling, thinking about it, and thinking about other things while I looked at it.  Now I'm more present every day, and I see, hear and feel things I never did before - I take a lot more in, wherever I am, because I'm just being, rather than thinking and interpreting all the time.

The second part of my theory is a brain thing.  I've had very poor vision since I was a young girl.  I'm convinced that as my brain developed, it just didn't get trained to connect to my eyes as much because they weren't that effective, and so I didn't form some connections that people with better sight did, which means I just don't actually notice what I see as much.  What I mean is that I see the big picture, but my brain doesn't necessarily register the details. Here's an example: On a hike and my husband and son saw a snake in a creek.  They tried and tried to point it out to me, but no matter how they described where to look,  I could not see it!  To them it was so obvious, they couldn't figure out how I could miss it but my eyes or brain simply didn't register it.  This scenario happens quite often.  

Since I've formed this theory, I have been going on what I call noticing walks - just trying to notice details. I keep them very short, because it's not about distance, it's about noticing things - really taking in the shapes of the trees or the birds, or the different types of grasses growing around them.  It's more than seeing things, actually - it's experiencing them. There's a deep sense of fulfillment, wonder and gratitude that arises from these walks- I quite like it!

Also, I'm testing out another idea I have - you see, I believe that even at my age (49), I can still form new connections in my brain.  So on my walks,  I'm trying to retrain it to see, to notice more. Not only do I think this is just plain good for my brain's elasticity as I age,  I'm also quite certain it will make me a better artist, a better writer, and most importantly, it will make me more present, more noticing,  in every situation.

So that's the link -  experiencing things in this way makes me feel strongly connected to my creative self and the creativity of the universe, to nature, to God, even to my family. I feel energized and exhilarated by it. And the cool thing is that I don't have to be surrounded by nature to do it - I can do it everywhere - in the midst of a city, on a night walk, heck, just sitting in my living room I can notice things I haven't before.  I still may not be seeing everything other people see, but I know that through meditation and "noticing walks" I'm experiencing more than I did before.  And I have no doubt that this will lead to more creativity and ideas.  Another benefit stronger clarity and focus, even when I'm doing things that I might have considered tedious before.  And even more beneficial, I feel like I'm actually gaining patience, which (as I pointed out in a recent blog), is still a developing skill for me.

So forget about stopping and just just smelling the roses - I'm going to experience them!

My Latest Project:

This is a quilt I call "Objects on the Bookshelf." that I made from leftover pieces of fabric from "Read Between the Lines."  It's a fun little piece, and I love that I made it from scraps!  I'm going to miss these prints - I had a lot of fun with them!   I'll be going on the quilting wagon for a couple of weeks - I may soon be experiencing serious withdrawal.  But -  I plan to replenish my creative well by visiting art galleries and being in nature as much as I can.  I'm going to take pictures, make sketches, and work on some other things I've neglected.  Who knows what inspiration may strike!  

Fun for All

It's the week of the Blogger's Quilt Festival - Hooray!   Guess I better get ready to sit on my petootie for a while! I LOVE looking at all the quilts, and I LOVE finding new blogs to add to my growing list of blogs, but my backside does not love all the time I spend in my BAC (Big-Ass-Chair) with my laptop.  Too bad for it - one must take inspiration when it is offered! 

The quilt I'm entering today is called Nebula. This piece ,inspired by movement, has existed in my sketch book for at least five years - maybe longer.   Don't know why it's been on the back burner for so long, but it's been secretly calling to me for all that time.  Periodically I would come across it and think "Why have I not made this yet - I love it!" only to put in back in the book and not make it for some reason or another, which I cannot explain, really.  

A couple of months ago, with my new-found freedom and time, I got the sketch out to show to my sister and others, and their lack of enthusiasm for it only made me all the more determined to do it - I knew it was going to turn out beautifully!   In fact, I love it so much, I'm going to make a similar one (it may take another five years, but that's okay!)

Here it is, blowing in the never ending wind off my front porch - I like this photo because it really shows the quilting.  

And here is another, calmer picture taken inside:

So it's a little abstract, but I think it really captures the feeling of movement - kind of like a storm, or under the ocean.  And my sister loves  the finished product, by the way.  Just goes to show ya, you should listen to your inner creative voice, because not everyone can see what you see in your mind until the thing is done.  

Thanks to everyone who participated and shared in the Blogger's Festival!  It really is so much fun for all!

So Over It

Finally!  I just finished a project I've been working on for several weeks..  I took my time, tried for perfection, and I'm pretty satisfied with the results.  Except...

I'm so over it.   I really didn't expect to feel that way with this particular project - when I first began it, I was thinking it might be one of my best designs so far, that maybe I could enter it in QuiltCon 2015 because it was that cool and graphic.  I even had to use math to make sure I had enough material to make it, which took a calculator, an entire afternoon, and scads and scads of paper. But I persevered and remained excited throughout the process.  It's just that now that it's complete, for some reason, it doesn't seem nearly as cool as I thought it was anymore. I don't know if I'm disappointed in the piece itself, or if I'm just DUNZO!

This kind of letdown feeling happens a lot to me at the end of a big project.  I think (and hope, too) it may be because I've been so obsessed with it for so long, and it takes so much energy, drive, and time (not to mention patience) to make it happen, that when I'm finally finished I think "Eh.  Is this what all the fuss was about?" The piece itself is exactly as I pictured it, it looks just like the sketch, which I adored and could hardly wait to get started on, so what's my problem?    Do I need the damn thing to suddenly animate and dance a jig while singing 'I feel pretty, oh so pretty...'  or give me a hug and say, "Thanks for creating me, Mom." 

It's not as though I don't like it, I really do.  I still think it's cool and graphic, and I may still enter it into a quilt show or two, but I don't get that thrill I got from it every time I successfully added a group of lines to it.    

The fault doesn't lie with the finished piece, it's mine.  I am, I suppose, all about the creating, not the creation.  What keeps me going is the creating itself, and even though I may like or even love what I create,  I  I just don't need it anymore, I guess - I'm already moving on to the next idea.  

Poor art!  Its's a good thing they don't have feelings - I'd be like the Octo-Quilt Mom - once I have the things, I don't really want them anymore.  At least not for a while. The good news is that what usually happens is that I'll set it aside for a while, and then when it hasn't been in my face, clamoring for my attention in a while, I'll see it with new eyes, and I'll fall in love with it all over again.  Or not.  I learned a lot during the creation of this piece, as I do everything I create. It's now a part of me, and I may use the information again the exact same way, or I may "tweak" it next time - who knows?  It doesn't really matter, because it's all about the journey, anyway.

So "Au Revoir" quilt, into the finished pile you go.  I'll know after you've been away for a while if I still love you the way I thought I did.     

Here it is, by the way.  

It's called "Read Between the Lines."  And see - it's worthy! (Don't want it to have poor self esteem.)  

And Now for a Moment of Un-Zen

If you throw a fit like a crazed lunatic and no one is around to hear you, do you still make an ass of yourself?  I'm gonna have to say yes.  So it's no surprise  but it turns out that I am anything but Zen. I'm terribly disappointed in exactly how far from it I am, in fact, but I feel I must fess up and face my undignified behavior, in the hopes that someone else out there can somehow learn from my failure to remain calm, productive and most importantly, present, in the face of frustration.  

A month or so ago, you might remember that  I was lamenting in this blog on my lack of modern quilt design ideas.  I realized I can't force what kind of inspiration I get, and should just be glad to have any (or so many) ideas, regardless of how they might be classified on the quilting rubric.  Then one night I was suddenly jarred awake by the inspiration for not just one, but two graphic and mod quilts - hooray!  Naturally I was very excited to get started on them, so throwing aside my current project, I began my new, modern one.  The design is deceptively simple, seemingly only complicated by my lack of math and spatial skills...perhaps it should have been a warning that I had to spend several, several hours calculating and figuring, but in the end  I was kind of proud of myself when I finally got the exact configuration and lengths with no help from husband or son.  It's a very linear piece, which I know is difficult to sew accurately so I told myself at the beginning that I was going to take it very slowly, that I was going to cheerfully pull out stitches when I needed to and that I was was going to, above all, enjoy the process and not focus on the outcome.  

Days One through Three went very, very well - I was really enjoying myself, despite routinely having to rip out and re-do about about a quarter of my stitches.  I did note on Day Four that perhaps I was was spending too energy attempting perfection,  because the more I tried, the more I had to rip out vast amounts of stitches.  I figured I was out of alignment with the moment, and I decided not to pursue flawlessness so relentlessly and Viola! suddenly I found I was making far fewer mistakes.  

By then, however,  I was exhausted from trying to not become frustrated, so even though I only had two or three more rows to sew, I decided to stop.  I was too busy to work the next day, which I figured was good, because I had ALMOST become angry and frustrated on Day Four and I figured I could regroup and recover my zen anyway so that the last day ( I actually figured it would just be an hour or two of work, tops) would be smooth and frustration-free.  Also, I've noticed that often near the end of a project (pretty much any kind of project, not just art-related) I tend to make more mistakes for some reason which I have yet to fathom, so again, I thought not being able to work for a day would help avoid that issue...oy, was I wrong!

When I finally sat down to finish the piece up, everything went wrong from the very start.  I literally had to rip out every seam I sewed that day - some of them twice.  (Remember, I only had about eight seams to sew left, total but I had already been working four and a half hours and had only completed three)   I could feel the frustration boiling, but I tried to remain present and be in alignment with the moment... "Just be calm, just take your time.  Carrie - your aren't in a hurry.  You want to do this right.  It's okay to rip out this seam again, don't be frustrated, it's the process, Carrie...Carrie...CARRIE!  Stop being upset, don't curse, calm down...AAAAAAGH!  I can't stop it I'm furious what the hell is going on here?  How can this be wrong? I checked and double checked it, I pinned the hell out of it- what is the matter with me, how can this possibly be wrong?!"  (CURSE, CURSE, BLOODCURDLING, PRIMORDIAL SCREAM...BAM, BAM, BAM - OUCH, THAT HURT! I'M OFFICIALLY OUT OF CONTROL, I MUST WALK AWAY. WHY AM I SO ANGRY (OUCH MY HAND HURTS) I NEED TO STOP NOW!  OKAY, OKAY, I'M WALKING AWAY. I'M calming down now a little. O god - I cannot believe I just did that..."

Storm passed now, in pain, and appalled, my thoughts continued:

"Oh s#@&, I'm truly insane!  Where's the straightjacket - I'll put myself in it!   Thank god no one saw that (but I actually looked around furtively to ensure that no one was around).  "But what if my father actually heard me scream like that from his house a mile away (it turns out he was in town that morning anyway). It might have killed him!  Would I have acted that way if the boys were home (no, not that out of control I'm certain, but it was scant comfort as I still did do it).  Did I forget to take my hormones (never, but that would have at least been an excuse...not a good one, but still, an excuse...) I really can't remember the last time I threw a fit like that, unless it was when I was two and scared of my allergy shots...so my mental maturity is that of a toddler? Lord, help me!"  

Finally completely humiliated and sad:

"Well, I am certainly failing in my quest for spiritual growth and awakening, aren't I.  Probably I'll never get there at all.  Maybe I'm just too far gone for that, I should just give up. I guess I'm just doomed to be an unholy, unhappy mess for the rest of my life.  Maybe I'll do better in the next life...God, I SUCK!"

Yep, it really happened like that.  I'm not exaggerating.  Unfortunately.  After taking a lunch break, I made myself go up there and survey the carnage.  (It actually wasn't too bad; even in the depths of my transformation into the Incredible Ass, I knew I had no fabric to waste.)  I even put the thing together and finished the top, calm now and able to see the problem and fix it.

I'm not proud of it, though.  And I certainly can't explain my sudden inability to summon even the most rudimentary bit of wisdom and self-control, either.  The weird truth is that even though I practice spirituality daily, I've noticed myself acting out of character a lot lately (just not, thankfully, on this absurd scale) as if instead of making progress, I'm actually moving backwards, spiritually.   Again, inexplicable.  And a little disheartening, not to mention SCARY. I literally didn't know I had that in me! 

The only solace I can take from this is the thought that I really don't think I would have done it if there were anyone within hearing.  This and the fact that no one actually was within hearing. 

And can you believe it - I really LOVE this piece!  Ha - you'd think I would hate it, huh?  But  It's one of my all time favorites!  Go figure.

I sincerely hope I've learned something from it, although I haven't yet cracked that nut.  My sweet husband said "You can't be perfect all the time, Carrie."  As if I'm ever even remotely in the same universe with perfection - huh!  I appreciated the words of support, but I thank goodness he wasn't around to witness it - he might feel a little differently if he'd seen it for himself.

I also don't know why I am compelled to share this moment of shame, (hope it's not the Catholic guilt coming back - I've worked hard to banish that) because I am truly saddened and appalled by it.  While I'm realistic to the fact that it's highly likely that there will be many more moments of frustration in my life, and that I won't always be able to handle them in the manner I wish I would, I at least hope to not repeat this sort of unfathomable, disproportionate response again, ever.  

  And now back to our regularly scheduled zen...

Involving a Lot of Imagination and Many New Ideas

The other day my younger sister Erika came over and I showed her some of the projects with which I'm currently obsessed.  "Oh you are soo creative," says she.  "How do you come up with your ideas?"  My answer was "Everywhere!" "I think you should write a book on the creative process," she continued.  At my strangled gasp she continued, "Fine, I'll write the book. You can just tell me how you do it..."  What amused me about the conversation is that I consider her to be quite creative, more so than myself, and I told her that.  She said "Oh, I can copy other ideas, but I don't come up with them on my own." Our mother used to say the exact same thing.  I disagree with both of them about themselves, it did get me thinking about creativity.  

What does it mean to be creative, really?  In the dictionary it says creativity is the ability to create new ideas or things using one's imagination, but I'm not sure I agree with that definition, entirely. I think it's a bit more complicated.

After all, isn't it creative to just make something you like, even if it's a copy of something someone else has done already?  You're still making something - still creatiing, right?  Does it have to be new to be considered creative?  I'm not sure about that...besides, rarely is something an exact replica of something else.  Most people put some stamp of their own on the things they make, even if they don't realize it.

Curiosity and desire, and even discipline are part of creativity as well.  There's that old saying, familiarity breeds contempt, but often it also causes creativity as well.  It's a process - first one starts copying other ideas or things, and then after a while they start to make small changes from the proscribed formula...eventually new ideas start to flow.  It's been my experience that creativity eventually asserts itself into almost any task I am deeply interested in and spend a lot of time doing. Not just the artistic kind, either - one can be creative with almost any task.  But of course one has to have enough of an interest in the thing to want to think about it, to spend time on it, to have the desire to be creative about it - which means in my case, I won't be coming up with a new mathematical theorem any time soon.

I also think it takes a certain amount of fearlessness to be creative - a lack of caring about what others think or say.  My husband has often said when we are discussing how people can be so critical, that it's much easier to be negative about a new idea, or it's much less risky, because you have a better chance of being right - there's almost always someone who doesn't like any given idea or object - but what if you say you like something and no on else agrees with you?  Then you're (GASP) wrong!

But what if you don't care if you're wrong?  What's that saying "What would you try to do if you knew you could not fail?"  Some might call this attitude confidence, others arrogance.  Whatever - it's pretty liberating to not really need approval.  Of course it's great (even helpful)  if other people like what you create, but it's not necessarily a prerequisite for being creative. The world's a big place, and if, like me, you believe we are all connected, you can be pretty sure that someone else out there will like your ideas too.  But even if they don't, it seems to be enough for me (most of the time) that I am satisfied with it.  (I say most of the time, because there's still that part of me that needs some sort of validation to feel that I'm not wasting my time with all this creating...it's there, but it clearly doesn't own me!)

It's undeniably true that some people seem to channel creativity more naturally than others - for whatever reasons.  Maybe they are somehow outside the mainstream, they haven't been formally trained, they have some physical characteristic or disability that makes them go in a different direction than most people, or maybe they have just been left alone a lot with their imaginations and so have a more natural inclination to create.  I personally think that spirituality is very much entwined with creativity.  After all, all creativity comes from that one creative source that created everything (some call it God) and what an everything it is!

I have no trouble accepting and blessing those who are lucky enough to be wildly naturally creative - bully for them!  Because I'm also one hundred percent certain that we can (all) learn to be more creative, to develop our creative skills.  From years of experience as a teacher, I've learned that there's almost always more than one way of coming up with the "right" answer.  Often, there's even more than one right answer - just not on a standardized test (which unfotunately at the moment is taken as the measure of all things educational). Our educational system at the moment is designed to erase any freedom of thought, whether it's new ways to come up with old answers, new and maybe improved answers to old (or new) questions, innovative ideas, even the asking of entirely new questions.  We discourage kids from coming up with any original ideas of their own to the point of stifling or killing most creativity.   Even the art teachers expect the kids to come up with same damn pictures!  It's okay that they might be learning a certain technique, but is it creative to expect them all to make the same thing? NO!

The truly sad result is that we aren't at all preparing our children to meet the challenges that they will face in real life, let alone the looming problems that we ourselves have created here on this planet that need to be solved in order for us to survive as a species.  There simply are no ABC answers to climate change or overpopulation.

The point is, that if we encourage our children to think of their own ideas, if we ask them thoughtful questions and accept that there can be more than one correct answer, if we reward children for thinking their own thoughts and for asking questions, we are teaching them to think creatively.  Of this I am certain.  The good news is that it works for adults, too.  All it takes is a certain degree of openness, a willingness to take a chance.  The unadulterated joy that results from this kind of freedom is undeniable, formidable -- and seriously addicting.  Besides, who knows where it might lead...World Peace, here we come!


ADDITIONAL NOTE:  So I've been in a frenzy of creating lately - I think in the last few weeks I've completed almost a project a week - I can't stop myself.  Some are new ideas, some, like the one below, are old ideas I've had in my head or in my sketchbook for literally YEARS!  What gratitude I have for being able to finally see them come into being!

I don't have a name for it but whatever- it's nearly done, I really like it,  (although as usual I am a sucky photographer- sorry it's crooked) and I only started it last week.  I've had an absolute blast making it...but my bulging mind is already going to my next project.  Don't know if that's a bad thing - I mean, I'm absolutely not rushing; I've taken the time to try to get things exactly the way I want them (which in my case often means a lot of tearing out stitches) I'm seriously enjoying the moment, but still  - new ideas are bombarding me, pushing me into action...I can't stop and I don't even want to!  So beware: it's a weird thing, giving oneself over to creativity.  Fun, freeing, exciting, even fulfilling...but definitely, very, very exhausting!

Taking the long way - was it worth it?

Ever since I made that shower curtain for my sister, I've been wanting to make one for myself, only perhaps not so complicated as the other one.  Well, I did make one for myself, but whether it was simpler?  Well, that's certainly debate - able! 

Let me first say that I'm pleased with it - it's cheerful and bright and it fits the shower perfectly, at least, now it does. (See below for explanation).  Still, there is a small thought niggling at me - I have to wonder if the finished product was actually worth the full two weeks of time I spent on it.  After all, one can get a perfectly good shower curtain for thirty bucks at Bed, Bath and Beyond.  But I wanted to make my own, simpler and easier to make than the one I made my sister but still custom-designed, one-of-a kind shower curtain, didn't I? 

Here's the (sad...amusing?) tale of simplicity gone wrong.   

To begin, I knew I wanted to make the curtain using my favorite African fabrics.  When working with heavily patterned fabrics, it's less about the design than it is about the fabrics themselves, but Initially I had a few key pieces of fabric I wanted to use in their entirety, (for some unknown, stubborn reason).  I put them up on the design wall, and then using my trusty blue masking tape, I taped up a grid that pleased me, intending to fill in the squares as I went along..Here's how that looked:

You can see that that particular method failed pretty much immediately - the sewn squares are already completely out of the grid!   I decided at this point that  I needed to use grid paper, so I dutifully drew a sketch (or five) and measured out the sizes of the squares, attempting to do the thing to scale.  " Of course, you clever thing," I thought to myself,  "a practical, mathematic approach is EXACTLY what is needed here - why didn't I think of that in the first place,my being so clever and pragmatic and logical and all?"

Naturally, what I ended up with  matches neither my blue grid on the wall nor my seven detailed, scaled drawings.  It's kind of a miracle that the thing fit together at all, to be truthful.

Another time-sucking activity was fabric placement - I wanted to have certain pops of color in certain places, and I kind of laid it out as I went.  In order to ensure maximum perfection I ran up and down the stairs  about a zillion times, (I cut on my kitchen island which was custom-designed for us tall people by my husband, and therefore I can stand at it for hours cutting up fabric or fixing fabulous food without getting the slightest backache but alas, my sewing studio is upstairs) cutting several of the same sized squares out of different fabrics until the last row, when  I pretty much realized it didn't really make all that much difference anyway!

By the time I was finished with the thing I was was both annoyed and amused at myself. Despite my (I thought) very careful choosing of fabrics, and my careful, mathematical approach, there are definitely some places where I think I could have moved a piece or used a different color, and -- it was way too short!  I ended up having to add two twelve-inch pieces at the bottom to make it fit the shower stall- ha ha!  (How did that happen, oh mighty math wizard Carrie?!)  

Despite the less-than-perfect outcome and the sort of time-sucking vortex it became, I did learn a few things:  One is that I like to challenge myself - that's just who I am.  I KNOW I can do it more simply, but the truth is, I like the road less traveled - why fight one's own nature?  I just need to accept that about myself and quit whining.  

Secondly, I really need to get a computer program to help me design my pieces and furthermore, I need to force myself to take the time to learn how to use said program (which is why I've been avoiding the it - I don't like to figure out computer stuff, it bores me). But I either take the time up front to learn how to do it more precisely OR I end up wasting a great deal of time (being NOT very zen) and "figuring it out" on my own, which makes more sense?

 Third, I seriously need to make sure I take time to exercise daily and get in better shape - I was totally exhausted by the time it was done! (Balance, balance, Carrie - spending too much time cooped up in the art studio has flabby consequences!)

The final thing I learned (which I thought I already knew because I'm constantly repeating it to my son but apparently I needed to be reminded that it also applies to moi) is that everything we do, or make, or endeavor to do yields knowledge, experience and skills that become a part of us and make us better versions of ourselves, and that we will use somehow in the future, perhaps without ever even realizing it, so --

I guess I just answered my own question, didn't I? 

Hey - What's the Big Idea Anyway?

About a year ago I took a Craftsy class on quilt design from Weeks Ringle, an artist whom I greatly admire.  I loved the class for many different reasons and I learned a lot and highly recommend it to anyone, not just quilt artists.   But watcher beware: this incredibly gifted, brilliant, well-thought out and just plain deep artist can be hazardous to one’s ego (which isn’t necessarily a bad thing) and a wee bit intimidating (although NOT on purpose; she’s really very open, accessible and friendly; she just can’t help it if she’s amazing and the stuff she creates is fantastic).  I feel the same way about Weeks as I do about Jo Rowling, author of the Harry Potter books:  They deserve every bit of their success!   And it’s really nice of her, I think, to be willing to share with us – I know I’m a much better artist because of it.  I’ll watch the series over and over, too (It’s that good,  and so rich!)  I love it!

During one of the composition sessions, Weeks talks about starting a design from what she called a Big Idea.  That really got me thinking – I want that!  Alas, I can’t say in all honesty that any of my designs so far have consciously come from a big idea.  A few times after I finished a piece I suddenly realized the idea or inspiration behind it…but that’s about as close as I’ve come.  I don’t feel like I have a shortage of ideas, mind you, but what can I say – I was inspired by Weeks’s thoughtfulness to be more thoughtful in my own design process!

As time went by it began to bother me that I can’t really say where my designs come from, specifically – they just seem to pop into my head, often at inopportune moments.  Suddenly I began to feel my designs are inadequate and maybe not as good or meaningful as they could be if they had a Big Idea behind them. (Don’t worry, Weeks, I don’t blame you – I just want to be like you!)  Also, inspiration rarely comes to me on demand – most of the time when I’ve tried to “think” about design, I’ve pretty much come up with exactly nil. 

Nonetheless, this notion of a big idea still quite appealed to me, so I’ve been searching for some big ideas of my own to inspire me and...so far it’s been an empty big idea year. But - in the past three weeks I’ve been on three different trips for various reasons ranging from spiritual to practical - the Bay Area in California, on a cruise with the high school band to Cozumel, Mexico, and to Prescott, Arizona on a trip to visit a college for my son.  Each trip has been great for different reasons, and in the back of my mind the whole time I’ve been searching for big idea inspiration.

 In California I experienced the joy of consciousness and my inner being and the peaceful, deep beauty of the spiritual journey. In Cozumel I looked at the endless ocean, the contrast of the azure water against the stark white sand.  In Arizona I saw the Grand Canyon, snow-covered pine trees, the high desert, and I experienced the sad gladness a mother feels when her child is preparing to leap into a life of his own, away from her.  Man, talk about a lot of big idea opportunity!   But so far, not an ounce of specific inspiration has come from any of it!   So naturally, being my quick-to-condemn-myself self, I begin to panic. “Oh my god,” I think, “I’m too shallow to be inspired by a big idea…all my ideas are meaningless...I’ll never be able to create anything truly worthwhile…ACK!  I suck!” 

Then what I learned in California surfaces and I have to laugh at myself.  “Oh Carrie,” I think “there you go again!”  Of course I’m inspired by my recent experiences - or I will be.  Because (as I constantly tell my son when he complains about having to learn useless stuff he’ll never USE in his life) every single thing you learn or do matters, because it becomes a part of you and you use it ways you oft-times don’t even realize(yes, even Pre-Cal, Jonas)!  So just because I haven’t made a conscious connection yet doesn’t mean the big idea’s not lurking in there somewhere. 

Now I get it - we all have our different pathways to inspiration, and just because I can’t call it up on demand doesn’t mean it’s any less worthy or meaningful.  That’s just the way it works for me - it will probably come to me the way it usually does – in the middle of a pap smear, or waiting in line at the DMV, or as I write this blog…and does it really matter whether I make the connection before or after the thing is done?  Of course not!  As usual, I’m being ridiculous, or as Napolean Dynamite would say, “Gosh!  WHAT an IDIOT!”

All Weeks is trying to do is share some of the ways she gets inspiration.  I don’t have to be like her (although I admit I still want to, a little).  What I do have to do is simply be grateful - for getting inspiration any way I can get it, period.  And so I am, and very.

But just in case, I’m going to make a list of big ideas that have suddenly popped up in the back of my mind as I’ve been writing.  Like I said, take it wherever you can get it…

(Added March 24th)
I just realized that my latest project actually comes from a "big idea," if you can call it that!  It's called 'Pink Doesn't Stink!'  I'm pretty sure you can figure out the idea...here's a photo of the pieced top...